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Robert Penn Warren
“America is stuck with its self-definition put on paper in 1776, and that was just like putting a burr under the metaphysical saddle of America.”
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11/9 Orhan Pamuk at the 92nd Street Y.


11/30 Paul Auster and Javier Marías will read at the 92nd Street Y.


12/17 Colum McCann and Timothy Donnelly at NYU.


The 2010 Spring Revel will honor Philip Roth. Click here for details.


Last years's Revel honored John Ashbery. Click here to read a selection of Ashbery's poems published in The Paris Review.


New books from The Paris Review.


Site redesign: see examples of the old site here and here.


The Paris Review is looking for new writers. Click here to check out our submission guidelines.


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NEW FALL ISSUE AVAILABLE NOW
James Ellroy on his novels: “If you’re confused about something in one of my books, you’ve just got to realize, Ellroy’s a master, and if I’m not following it, it’s my problem.”

Frederick Seidel on the Art of Poetry.

New stories by Sam Shepard, Richard Powers, and Mark Slouka.

A dispatch from North Korea from Barbara Demick.

Plus poems from Elizabeth Arnold and Timothy Donnelly, newly translated work by Rilke, and more.

Click here to buy the new issue today.



DAYLIGHT NOIR
     “We go west,” she said, “through the Beverly Hills and then father on.”
     I let the clutch in and drifted around the corner to go south to Sunset. Dolores got one of her long brown cigarettes out.
     “Did you bring a gun?” she asked.

Click here to see Catherine Corman’s photographs of Raymond Chandler’s Los Angeles, with captions by Chandler and an essay by Jonathan Lethem.



2009 NATIONAL MAGAZINE AWARDS

Click the links below to read the two stories from The Paris Review that were finalists in fiction:

“The Lover” by Damon Galgut
“Departure” by Alistair Morgan


  FROM THE NEW ISSUE

The Art of Poetry No. 95
Frederick Seidel

I wrote a few poems that felt dislocated—I didn’t know how to proceed without repeating myself. I tried. I even went so far as to rent an office in a building downtown, near Foley Square. Frank Conroy and Norman Mailer and I each rented one, in this building occupied otherwise by bondsmen and private eyes. Our names appeared in the building directory as “Frank Conroy, Writer”; “Norman Mailer, Writer”; “Frederick Seidel, Writer.” It didn’t work. I pretty much stopped writing.



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