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THE PARIS REVIEW No. 91
Spring 1984 |
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James Baldwin on the benefits of expatriatism, essays v. fiction, and a revelation found in a New York puddle.
“None of us wanted to write. Therefore, when you read a book on the Holocaust, written by a survivor, you always feel this ambivalence. On one hand, he feels he must. On the other hand, he feels . . . if only I didn’t have to”: Elie Wiesel on the Art of Fiction.
Stories by Susan Minot and Paul Morand. Poems by Michael Benedikt and Andrew Motion. |
| TABLE OF CONTENTS |
| INTERVIEW |
| James Baldwin, The Art of Fiction No. 78 | | Elie Wiesel, The Art of Fiction No. 79 |
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| FICTION |
| Susan Minot, Lust | | Paul Morand, Borealis | | Ellis Weiner, Errata | | Rudy Wilson, Impressions |
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| POETRY |
| Michael Benedikt, Right in the Middle of Everything | | Lavina Blossom, After the Harlequin | | Hayden Carruth, "The World as Will and Representation" | | Amy Clampitt, Grasmere | | Alfred Corn, from Notes from a Child of Paradise | | Tom Disch, Orientating Mr. Blank | | Andrew Motion, A Lyrical Ballad | | Yannis Ritsos, Three Poems | | Molly Russakoff, Lament of the Conductor | | Jordan Smith, Lucky Seven |
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| ART |
| Jennifer Bartlett, Cover | | David Bowes, Six American Days and One Night | | Roy Lichtenstein, The Reclining Nude | | Tom Otterness, Notebook Drawings |
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