I don’t mean to rank you out
as some kind of Haitian Sex Goddess
or Virtuous piece of Crescent trash,
the occasion never demands it,
but tonight I hate you, you lure me bitch,
and you are never precisely here. I love your friend
for taking you away, but I hate myself worse
for partially following, for the party demands a host
and I am the one
who skulks in the library
writing you a witless begrudged present
while you two in Boston
and these three in the kitchen
explode in a gigantic numbing flame
demanding my presence for purposes of Name—
the great exasperating pretense
I have been granted on occasion and used
to ultimately distinguish the world
now betray this world this instant
writing you previously constructed memories
and doing false management to bring you near
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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