The Art of Poetry No. 8
“What happens if you make a distinction between what you tell your friends and what you tell your Muse?”
“What happens if you make a distinction between what you tell your friends and what you tell your Muse?”
West of Laramie, Elk Mt. snow covered top—Medicine Bow Mts. ranged black—that Road still ribbons past red sandstone buttes—“Looks like you shd be a yogi on each rock”—down the vast green valley floor
Like Utah, like America, mountain rookeries cliffed distant under cloud-fished transparent sky—the Blue Shield, that might be heaven over the Ferris Mountains’ precipices (illustration) striped under snow dusty pine ridges.
Great Divide Basin up Rt. 287 grey mud lake at Muddy Gap—Rock wall leaned up from colossal ditch, smooth stone sheet cracked by brush upsprung—Rattlesnake Range rocks bunched up in mountain piles north blue sky’d—Dry wood snowfences snaked straight up hill south of the highway, wood slats x’d together.
OK Neal
aethereal Spirit
bright as moving air
Switch on lights yellow as the sun
in the bedroom...
The gaudy poet dead Frank O'Hara's bones
Time comes spirit weakens and goes blank apartments shuffled through and forgotten
The dead in their cenotaphs locomotive high schools & African cities small town motorcycle graves
These are fragments of a conversation held in New York City on December 28th, 1978. My friend Peter Orlovsky was also in attendance. This dialogue was taped at the Chelsea Hotel, walking 23rd Street to a coffee shop, in a taxi, up 6th Avenue, walking in the village. . .
Re LSD, Psylocibin [sic], etc., Paris Review #37 p. 46: “So I couldn’t go any further. I may later on occasion, if I feel more reassurance.”