On John Kane’s photography of Pilobolus and Momix.

When Max de Radiguès began making comics, he had never taken drawing lessons. “I loved to draw but wasn’t especially good at it,” he explains. “I quickly stopped trying to draw in a realistic way and went for an efficient one.” He wanted t…

“Even when you reach a certain level of success,” Jean Giraud once said, “there’s still this desire to break the established rules and be a bit of a delinquent.” The cheerfully libertine Frenchman spoke those words in his early seventies, j…

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Lucien Métivet’s name may not be familiar to many contemporary readers or art aficionada, and placed alongside that of his friend and fellow art student Henri de Toulouse-Lautrec it may seem, by comparison, thoroughly obscure. A century ago, how…