Like dots before your eyes, the ships
Roll in on the new tide and drop anchor.
“They will go away,” you think. But later
When you turn again, they’re still there.
Still blocking the rest of your island paradise
From view. You see the men in uniform
Stepping down into the longboats, then
The endless ripple of water as you lie back
And close your eyes: “It has all happened
So many times before—the ships, the men.
And always when they seemed to beckon
And I went to them, the bay was empty.
But now I am aware of their ways:
This time they will come to me.” Overhead,
The wind scrapes through palms that droop
Almost to where you can touch them. You hear
Nothing but stones tumbling in the sea.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
Subscribe for free: Stitcher | Apple Podcasts | Google Play