I needed to find you and, once having found you, to keep you
You who could make me a physical Larousse
Of everyday living, you who would present me to Gilberte
And Anna and Sonia, you by whom I could be a surrealist
And a dadaist and almost a fake of Racine and of Molière. I was hiding
The heavenly dolor you planted in my heart:
That I would never completely have you.
I wanted to take you with me on long vacations
Always giving you so many kisses, ma française—
Across rocky mountains, valleys, and lakes
And I wanted it to be as if
Nous faisions ce voyage pour l’éternité
Et non pas uniquement pour la brève duree d’une année boursière en France.
Those days, and that idea, are gone.
A little hotel on the rue de Fleurus
Was bursting with you.
And one April morning, when I woke up, I had you
Stuck to the tip of my tongue like a Christmas sticker
I walked out into the street, it was Fleurus
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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