Fresca’s got a new look
but I’m not drinking
that. My coke
struck the ice
and the ice
cube cracked.
I’m sitting by the little
Buddha
who is sitting in
my yard. I imagine
you walking in
gasping at the
same couch
the same bed
it’s almost
the same
town but this is
what I meant
and there’s
so much pleasure,
difference in
this, that. I meant
to be here. One
sleeps on what
they mean
and arises on the decided
side and that’s
the hope. An entire
room is opened
by particular feelings
that say you’re
on the edge
of the space
and then you
wait to watch
it grow. Grow
like a love
or a feeling of distrust
or a body grateful
for sun & breeze
and the rising and
falling of my dog’s
chest no gut.
The little Buddha’s
smiling southeast
I figured that
out. Their
genitals are
unknown in fact
their everything’s
smiling walked on
by ants planted
in the dirt
but not dead
activated by my
gaze. Their smiling
makes me glad
dog turns Buddha’s
way I go
forward with con
fidence I
may turn nothing
up but this
gentle scratching
in my yard
before making
a call opening
the self
somehow so it’s
possible to
have a friend
to call
not only from
need but interest
in their life
the body I’m
pouring into
joyous to be
connected
to someone
while covered
by ants surrounded
by breeze
actually touched
by birds
their sound
then landing
there is nothing
romantic
in their
absence
the bird
is all touch
no matter
how distant
their flight
the sky is open
my gaze is
wide it matters
how they
dive and
hover. The silly
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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